Tuesday, April 21, 2026

Road Rovers STARS Headcanons

Gonna try to get the next chapter of New Dogs out this week, but in the meantime, here's a little something to tide readers over.

-- My stories include moments of levity and humor, and some will be straight-up action/comedies, but my brand of humor is for the most part is quite different from the show's itself. It’s less goofy, dated, and referential for one, and doesn’t rely so much on dog jokes or Blitz being Colleen’s punching bag as well as the butt of some gigantic cosmic joke in general. Humor does not trump characterization either. If it’s going to bother you not to see the show’s style of humor, then you don’t even need to be reading my stuff. If you can deal with it though, then enjoy.

-- Hunter, Colleen, and Exile (on occasion) are not the only cano-sapiens who can understand Shag and normal dogs. This is something the show did that I’ve always found really inconsistent and confusing. All Cano-Sapiens can do this, and the same goes for any other sapient or mutant.

-- The first season of Road Rovers STARS (the canon episodes) begins in 1996 (the same year the show originally aired). The stories pick up from there. The way the passage of time in the show was handled, particularly in “Still A Few Bugs In The System”, was weird. Like, that episode actually spanned several years? I’d have to look around to see exactly how long, but when I saw that I thought to myself “Well, I'm ignoring that.”

Actually, the passage of time in many fanfics makes no sense either. Sometimes things apparently happen over the course of several years, but again, nobody ever ages and the characters literally appear to be frozen in time. I'm going to have a timeline that makes actual logical sense.

-- When it comes to criminals, the Rovers are more like real-life police officers and less like Batman. If a villain is threatening to seriously harm or kill someone and cannot be talked down, then the Rovers are permitted to use lethal force to stop them if necessary. Also, EW bought up the idea of the Rovers specifically being ordered to kill on their missions instead of merely arresting criminals in some stories (something that a ton of fanfics skirt around). 

Also, a villain(s) who goes to prison will stay there for a decent length of time. In other words, it’s not going to be like all the jails we see in comic books where criminals are just continually escaping. If a villain does manage to frequently evade the good guys' clutches, then they will do so in a logical, plausible manner.

-- Since they were so poorly handled in the show, the canon Rovers will be getting some much-needed attention and development in STARS, thanks in part to EW. I feel fans get so impressed with their OFCs that the canon characters get turned into side characters. Hunter will not be the center of the universe here though like he is everywhere else.

-- The Rovers’ owners will also get focus here. The bond between human and animals is a special one, and something I feel deserves more attention then what it receives in the fandom.

-- The STARS-verse borrows characters and concepts from certain other authors, namely Evil Writer and George Aguirre (as far as several of the historical elements go), but many of the original fan characters not made by me/Lilikoi/Fox the Writer have been adjusted to varying degrees in order to fit into STARS better. The same goes for some of the aforementioned story concepts. Also, don’t expect to see many if indeed any popular fanon concepts here.

-- I wasn’t going to even touch on this, but because I’ve noticed so many contemporary Rover fans doing this I feel the need to comment. These fans make the Rovers more like real-life dogs given sentience who often still retain/or want to retain the mentalities and lifestyles of regular dogs (IE: giving their children away to human owners to be raised as pets and only visiting them occasionally, as opposed to wanting to raise them themselves).

I go the Disney route and have sapients being sentient even as regular animals (which is what the show itself even seemed to be heavily implying). They just can’t communicate with humans. I think there’s so much to be explored with sapients that fans don’t seem to care about. It just seems so lazy to go, “Yeah, they still live and act like dogs, only they can talk now! Well that’s all, byyyye!” Would the Rovers not realize that they have the power to do things now that they couldn’t as regular old dogs? You don’t have to obey the alpha dog. You can run the pack more democratically now. You don’t have to basically let your children be ripped away from you to be raised by total strangers of a different species anymore. And so on and so forth.

-- In a reverse of the previous rule, sapients are not reskinned humans either.

-- Something else nu!fanbase does that really singes my biscuits: how Parvo’s Mutants are handled. You get people who want them to have expanded roles and be comic relief, or treat them as being interchangeable with sapiens. But the show always presented them as non-speaking grunts and monstrous, corrupted beasts (granted, they did get nerfed over the course of the series). They also look distinctly different from sapients and have never displayed superpowers in the show. I don’t mind having them being capable of speaking, albeit not nearly as well or as clearly as sapients do, but I don’t need them holding long, complex conversations or doing pratfalls. 

A bunch of fans also have the Rovers killing them, which to me is morally wrong because they are killing innocent cats and dogs that were corrupted by Parvo against their will.

The Mutants in STARS are more primitive and aggressive than either sapients, TMNT-style mutants, and mutates are. They have little interest in the opposite sex or the like. They can be cured and changed back into normal animals with the Transdogmafier, as was shown in canon on several occasions (as hard as the fandom tries to ignore this). Parvo goes on to use other animal species as Mutants, including Furo-Mutants (ferrets), Shark Mutants, Urso-Mutants (bears), and Chiro-Mutants (bats). Other villains will end up employing Melo-Mutants (badgers) and Cheetah Mutants for specific schemes.

ETA: I think this was Usami's headcanon, but I like the idea of the Cano-Mutator being the evil opposite of the Transdogmafier, bringing out the worst traits of animals.

-- Here, there's more of a focus on the Rovers' personal lives and interests beyond them just fighting crime, the lulz, and shipping melodrama. They can't fight Parvo forever. I notice 97% of fanfics make it seem like they just sit around waiting for villains to attack. And if fans ever do decide to have them do something other then go on adventures, it'll be about them starting families (especially Hunter and Colleen, because they're the Anointed Ones). Nothing else.

-- Everyone and their grandma can't just break into RRMC like it's nothing. This is a common trope in fanfics that drives me nuts! In STARS, no villain knows where RMMC is. Not saying that'll always be the case, but as of now nobody knows. And even if someone were to discover its location, there are actual security systems that will alert the Rovers and at the same time stop the intruder. Not a glass door with a bell on it that rings whenever people walk in and out.

Sunday, April 5, 2026

The STARS-verse -- inception and the Stations of Canon

Still working on the second half of the latest Character Corner, but I do have this ready to go to accompany my fic New Dogs, New Tricks. This'll be the first of several posts that will establish some worldbuilding and ground rules for my Road Rovers series, Road Rover STARS.

A long, long, long time ago, my RR stories were meant to mostly run concurrently alongside the Road Rovers: Quick Strike, or QS-verse series of fics, written by That One Evil Writer. His fics would've also been canon to my fic-verse, along with my own personal (old cringe) ideas and characters. Gradually however, seeing television series and movies, as well as reading various books in addition to a lot of great fanfiction, and higher quality reboots (both fan-made and official ones) made me start to wonder "What if?..."

.. Hunter had his own set of character flaws to overcome? Not external, out of his control "weaknesses" that exist purely to make people go "Aww poor baby", but real flaws that could make people come into conflict with him, or even not like him? As someone who does not like the character (lol), I felt going this route will ground the character and make him genuinely sympathetic, because I will be getting into his mindset and exploring why he behaves the way he does. 

... The Teenage Mutant Ninja Turtles and the Mighty Ducks met the Rovers? I feel the non-human superheroes should hang out a lot.

... What if some characters found different partners than they did in the QS-verse?

What if, what if, what if?

Watching new and old shows makes me wanna emulate the things I like about them for RR. I take a lot of inspiration from series with ensemble casts (Northern Exposure and Band Of Brothers -- there's definitely a number of other shows I could add to this list that I've missed out on and do plan to watch) assorted animated series (Steven Universe, Transformers Animated, One Piece, Jujutsu Kaisen, Demon Slayer: Kimetsu No Yaiba, My Adventures With Superman, and The Owl House are some primary examples). Another influence was fanfiction for the series My Little Pony: Friendship Is Magic. People have done every kind of alternate universe story for that fandom under the sun and then some. It was definitely a big source of inspiration for revamping my cast and setting.

STARS wound up developing into its own unique thing separate from what anybody else is (or was) doing for their stories, though I do take certain influences and headcanons from a select few other fan writers. Of course if the original creator is still around I ask their permission. Regardless, any creator whose OCs appear are always receive credit in my author's notes. The deviantART portion of the fandom seems to get its rocks off on the idea of people going around stealing characters. That's not what's going on here, and if you believe it is, you're always welcome to actually come and ask me.

I love lore. 

 Lore - Memory Alpha, the Star Trek Wiki

No, not that Lore. Story lore.

I have a simple rule of thumb for this setting: KISS. What is KISS?

Keep

It

Simple 

Stupid/Sweetie 

Streamline everything. I don't want any kind of convoluted, sprawling, overly complex backstories or plotlines (the hero was separated from their mother who was captured by the villains and cloned, and the evil clone traveled back in time to assume the real mother's place, while the real mom lost her memory and became a new villainess named La Strega!) or anything of the sort. This is also why I'm mostly keeping clear of time travel. I don't want any soap opera style stories or melodramatics either. I know people and their emotions can be really messy, but this is not Days Of Our Lives.

I also went and chucked a lot of the more clunkier, awkward concepts I devised previously.

Make it fun and engaging. It should be like sitting down to watch a compelling series, or following a series of books or an old-fashioned serial you really like, so you tune itn every week just so you can see what happens next.

While the original thirteen episode run is canon, there are minor details here and there that have been changed to varying degrees to suit my own personal tastes; I.E.: Prince Charles and Princess Diana becoming werewolves. That doesn't occur in STARS because I straight up think not only was it really dumb and pointless, but also dates the show really badly. Colleen's master is the actual guy who served as England's Prime Minister in the mid-90s, not the pseudo-Queen Elizabeth the show uses. 

I only include characters that I actually want to write in some capacity. So if you don't see your favorite fan character, or one you might've made, then that's why. Some characters I feel are just better off being written by their creators. I'm not the creator, so I can only do so much guesswork about how a creator might approach their OC. A bunch of characters from the prelim versions of this setting, a number of my own included, were eventually dropped because I think they would have stretched plausibility way too much/or I wasn't sure how I could even properly fit them in (or, in the case of my personal OCS, were just lame, derivative characters). Some are just -- sorry to say -- either too underdeveloped to use or their presence became unnecessary. The only thing I know about them was a name and sometimes a species, if the latter even.

Something I'm very eager to try out is utilizing story elements that I wish other RR stories had but usually lack, like having a middle ground between the characters being animals, but uplifted animals that have expanded minds. Just about every story I see it's either one extreme -- they're humanoid dogs, but the writers treat them as being regular dogs mentally who still want to keep acting like and living like regular dogs... even though the author also wants human-style weddings for their OCs or Hunter and Colleen at the same time. If Hunter and Colleen are perfectly fine with stuff like allowing their children to be given away to humans to live with them, instead of just raising them themselves (because they're sentient now, so they totally have that option available to them), then why the heck would they even care about having a wedding in the first place then? Or courtship for that matter? Wouldn't Hunter just start humping Colleen right there on the spot? I'm sorry to be crass about this, but people are so inconsistent about this kind of thing. And in regards to giving away their offspring, wasn't the very last episode of the show all about Hunter trying to reunite with his mom because he desperately missed her??? Do people even pay attention to canon?

The other extreme is the Rovers being written like they're humans in animal costume. You could just take off the dog mask and it'd be just some boring rando looking back at you.

I want a linear timeline that flows chronologically and normally. There are so many stories out there where the Rovers seem to go on thousands and thousands of missions every day, yet the canon Rovers act the exact same way they do in the show, no one ever develops or changes physically or mentally, and no one seems to age. If the canon Rovers are still acting the exact same they do in canon after 80,000+ life and death missions, or getting attacked/mutated/brainwashed/cloned/RRMC being invaded and blown up/etc, then, uh... I call bs. I want characters to have reactions to and be affected by the things that happen to them, not just glossing over it just so they can move on to the next adventure/or shipping.

A major problem with a lot of old school fanfiction is that concepts and characters were never explained from story to story unless you'd been there from the beginning or spoke behind the scenes with the fan writers. Sometimes the opening stories weren't available to read either. Plus, even way back when I know I didn't wanna include everything that happened in the QS-verse as part of my setting. Recently, while talking with a friend of mine, I asked myself this question: if you're borrowing a concept or an idea from somebody else for an AU setting, then why copy it to the exact tee? Why not take it and put your own unique twist on it? I want to really push the AU aspects in order to truly differentiate STARS from RR: QS. As part of this, some characters are basically rebooted versions of themselves (think like how Mr. Freeze was presented in the original 1960s Batman series and how he was updated for Batman: The Animated Series) in order to fit in better with this brand new setting and because I don't know everything about them. Some of the other canons I've incorporated have likewise been tweaked. In the case of DC and Marvel, I'm just mashing together select elements from the various media we've gotten over the years. 

Now, on to that "Stations of Canon" thing I mentioned in the title of this entry. Some stories, ideas, and events that occur in STARS are my personal takes on things other writers have either written about or were planning to write. They will play out in a completely different way here though, just because they'll be filtered through this new setting as well as my own thoughts as a writer. Since I have a different take on the canon Rovers and co as opposed to other fan interpretations (to say nothing of other characters in STARS, such as say Batman or Demona), there's no way that an event should go down in the exact same way. Likewise, the presence of new OCS and other canons existing together in this shared universe would also affect a number of situations.

I don't want to undermine either the Master or the canon Rovers. A lot of stuff does that, in some case unintentionally. He had the intelligence and skill to build a Transdogmafier, except no, not really, someone else did and he just took their idea. Oh look, all these other groups and random people out on the street now have Transdogmafier technology too!... somehow. Hey, he's getting in the way of the fan writer's precious donut steel, so we need somebody to swoop from the shadows, blackmail him, and basically take over the Road Rovers! And so on and so forth. The Rover should not feel like walk on cameos within their own setting. So many times it feels like they're made stupid and weak just to make the OC or whatever look better by comparison. Also, if you read my Character Corner entries on Blitz and Exile, then you know that I plan on having all the canon Rovers level up in some form or fashion so they're not left in the dust by more powerful characters.

As I said, some of the romantic couplings between the various characters are going to be different from what you've seen done before. Unless I really like a particular coupling, I don't see a point in copying what another writer does or has done before, especially when I don't even have all the details of how the relationship is supposed to play out for their setting. Plus, as I've said elsewhere, I enjoy playing around with new possibilities and character dynamics. I find those elements very interesting to explore. Romance is not going to trump and dominate everything else either. 

I want to tell stories that, to borrow a phrase I've seen elsewhere and which I think perfectly describes what I envision -- scratches that itch in my brain in a very satisfying way.

So that's it, that's all I got to say. Hope you enjoy the stories.

"New Dogs, New Tricks" prologue commentary & notes

REFERENCES:  N/A GENERAL: - It's very important to me to set up and establish the more important fan characters here, instead of just t...